eventi umbria

PERUGINO 2023 | 4 MARCH-11 JUNE 2023



(4 MARCH-11 JUNE 2023)



Pietro di Cristoforo Vannucci (c. 1448 – 1523), a world-famous master from Città della Pieve

PERUGIA – “The best master of Italy”. Perugino nel suo tempo”, the exhibition curated by Marco Pierini, director of the National Gallery of Umbria, and Veruska Picchiarelli, curator of the Perugia museum, is the key event of the celebrations for the 500th anniversary of the death of Pietro Vannucci (1450 ca .-1523), called Perugino, coordinated by a National Committee, set up by the Ministry of Culture and chaired by Ilaria Borletti Buitoni.

Hosted at the Galleria Nazionale dell’Umbria in Perugia from 4 March to 11 June 2023, the exhibition consists of over seventy works, from some of the most important national and international museums, such as the Uffizi Galleries, the National Gallery in Washington , the National Gallery in London, the Louvre in Paris and the Gemäldegalerie in Berlin.

Perugino “The best master of Italy”
In a letter dated November 7, 1500, Agostino Chigi, who was among the greatest patrons of his time, defined Perugino as “the best master in Italy”.


The exhibition

The selection includes paintings by Vannucci prior to 1504, the year in which he worked on three commissions that mark the high point of his career: the Crucifixion in the Chigi Chapel in Sant’Agostino in Siena, the Struggle between Love and Chastity already in Mantua, now in the Louvre in Paris, and above all the Marriage of the Virgin for the chapel of the Holy Ring of the Cathedral of Perugia, today in the Musée des Beaux-Arts in Caen (France).

The exhibition project intends to account for the fundamental passages of Perugino’s journey: from the first collaborations in the workshop of Andrea del Verrocchio to the capital Florentine companies that made his fortune (such as, for example, the three panels formerly in San Giusto alle Mura, today in the Gallerie degli Uffizi, or the Altarpiece of San Domenico in Fiesole); from extraordinary portraits to monumental altarpieces, such as the Galitzin Triptych, now in the National Gallery in Washington, and the Polyptych of the Certosa di Pavia, mostly in the National Gallery in London and exceptionally recomposed for the occasion.

The exhibition also reflects on the role that Vannucci actually played in the contemporary art scene in the relationship that linked him to the protagonists of that era, geographically following the movements of the painter or of his works through Italy.


The places where he left indelible traces

Perugino has left deep traces of his mastery in all the localities of the peninsula touched by his activity, from north to south, obviously starting from Umbria and Tuscany, theaters par excellence of his work, as well as headquarters of his workshops in Perugia and Florence.

The fundamental decorative enterprise of the Sistine Chapel, for example, is at the basis of an Umbrian-Lazio trend of “Peruginism”, which finds sublime interpreters in characters such as Antoniazzo Romano, or Antonio da Viterbo known as il Pastura. The impression aroused by the frescoes with Stories of Christ and Stories of Moses in architects of profoundly distant geographical and cultural origins, who approach them on journeys of updating and assimilate them as fundamental study texts, generates very singular phenomena, such as that witnessed by the painting Macrino d’Alba, popularizer of the Perugian style in his native Piedmont. Just as, in the same region, the study of capital trials by Perugino seen between Florence and Pavia is reflected with surprising results in the production of Gaudenzio Ferrari.

The presence of works by the Umbrian master in Romagna and in Emilia, from Fano, to Senigallia, to Bologna is at the basis of the painting of Francesco Francia, Lorenzo Costa and Rimpatta.

A Lombard-Venetian vein of the Perugian vague, witnessed in particular by the works of Tommaso Aleni and Francesco Verla, is linked to the Madonna and Child between Saints Augustine and John the Evangelist in the church of Sant’Agostino in Cremona.

Finally, the great Assumption of the Cathedral of San Gennaro gave further driving force to the diffusion of Peter’s lexicon not only in the Neapolitan area, with the activity of Stefano Sparano or Cristoforo Faffeo, but also in other areas of southern Italy.

To accompany the exhibition, a catalog with the contributions of the major specialists of the painter. Ample margin will be reserved for the directors and curators of the collections to which the works on loan belong.

“The events scheduled for the five hundredth anniversary of his death, and the eagerly awaited exhibition: “The best Master of Italy”, as the banker Agostino Chigi rightly defined him – says Andrea Romizi, mayor of Perugia – are destined to remain in the history and to write a new chapter in the cultural vitality of Perugia, Umbria and our country. Perugino is not only the painter of the sweet angelic Madonnas or of the flowery altarpieces like fragments of heaven on earth, but the very identity of the Umbrian culture spread throughout the world”.


How to visit Perugino’s exhibition at the National Gallery of Umbria?🖌🖼
Here’s some useful info ⬇️
▪️ Where is it:
Corso Pietro Vannucci 19, Perugia.
▪️ Opening hours:
From Monday to Sunday: from 8:30 to 19:30.
The ticket office closes at 6.30pm.
Full price: €10 (valid for access to the exhibition and the rest of the museum)
Verifiable reductions on the official GNU site
▪️ RESERVATION REQUIRED FOR ALL visitors on the occasion of free Sundays (first Sunday of the month) at a cost of € 2.
▪️ For safety reasons, on the free Sundays (first Sunday of the month) it is not possible to make guided tours or group reservations.
▪️ Ticket office and bookshop / reservations:
Email: gnu@sistemamuseo.it
Telephone: +39 075 5721009
Museum system




17-18 SEPTEMBER 2022

In September the Giostra della Quintana takes place in Foligno, a chivalrous tournament in costume in which the 10 districts of Foligno compete

Traditionally it is held twice a year: in June the Challenge, in September the revenge

The 2 weeks preceding the Joust, the city comes alive with the opening of 10 taverns in the city’s 10 districts, where you can taste 17th century recipes prepared with local products.

On Friday the city of Foligno traditionally becomes the setting for a great historical parade in which hundreds of costumed figures participate.

Saturday is competition day.

The competition consists in making 3 laps on horseback of the ancient stadium of Foligno (Campo de li Giochi) in the shortest possible time, inserting three times with the spear a ring hanging from a statue of the god Mars (the so-called “quintanone”) without receiving penalty. The diameter of the ring decreases progressively in the three turns (6 cm, 5.5 cm, 5 cm). The rider who finishes the course without penalty and in the shortest time wins.

The first testimony of the Quintana di Foligno dates back to 1613. The current version dates back to 1946.

The name Quintana derives from the 5th street of the Roman camp, the one where soldiers were trained to fight with spears.




Assisi, 21 April – 11 May, 2024

The Calendimaggio of Assisi (sometimes also transcribed Kalendimaggio) is a festival that is celebrated every first Wednesday, Thursday, Friday and Saturday after May 1st of every year, to greet the arrival of spring. The two Parts into which the city is divided, the Nobilissima Parte de Sopra and the Magnifica Parte de Sotto, compete for the conquest of the palio, through the development of processions in medieval costumes (about 13th century – mid 15th century), scenes recitations of re-enactment of medieval life in the alleys of the city and musical performances: the winning Party is decided by a jury, made up of internationally renowned experts, that is, a historian, a musicologist and a personality from the world of entertainment.

During the days of Calendimaggio, through the alleys of Assisi, you can relive the atmosphere of the typical medieval festival, with songs, music and jousting; the festival has ancient origins, dating back to the ancient tradition of the Umbrian people to greet the arrival of spring.

In these days, the people of Assisi wear traditional medieval clothes and follow a series of initiatives, including the suggestive Palio del Calendimaggio.

…And Calendimaggio is coming

…E Vien Calendimaggio
Sunday 21 April

Piazza Santa Chiara
Selection competition between the Crossbowmen of the Parties

Monday 22 April
10:00 a.m.

Town Hall Square
Conciliation Hall
29th ‘Carlo Lampone’ Prize

Thursday 25 April
7:30 p.m.

Town Hall Square
Hall of the Vaults
Opening of the Calendimaggio Tavern

Saturday 27 April
12:00 p.m.

Piazza del Comune
Sala della Conciliazione
Presentation of the Jury “Edition 2024

Tuesday 30 April
4.00 p.m.

New Church Square
Presentation of Madonne Primavera*
Singing tribute by the “Cantori di Assisi” (Assisi Singers)

8:30 p.m.

Propiziatory dinners in the Rioni delle Parti districts

Wednesday 1 May
2:30 pm

Piazza Santa Chiara
Performance by the “Compagnia Balestrieri di Assisi” (Crossbowmen Company of Assisi)

5:00 p.m.

Show of the “Gruppo Sbandieratori di Assisi” (Assisi flag-wavers group)

Monday 6 May
9:30 p.m.

Vicoli Parte de Sotto
Open scenes in costume

Tuesday 7 May
9:30 pm

Alleys of Parte de Sopra
Open Scenes in Costume

*in case of bad weather, the presentation of the Madonne Primavera will take place in the Sala della Conciliazione of the Municipal Palace



Wednesday 8 May – “Delivery of the Keys”

Parte de Sotto – Blessing of the banners in the Upper Basilica of San Francesco
Part of Above – Blessing of the banners in the Cathedral of San Rufino


Sound of the Bell of Laudi
Piazza Santa Chiara
Departure of the Calendimaggio parade


Town Hall Square
Choir of the Parties – Performance of the Curfew Hymn
The Field Master assumes sovereign powers
Entrance of the processions. Return of the Palio.
Greetings from the President-Magistrate – Presentation of the Jurors.
Reading of the challenge notices
Exit of the processions along Corso Mazzini and Piazza Santa Chiara


Part of Below: Re-enactments of medieval life*

Thursday 9 May – “Madonna Primavera”

Town Hall Square
Sound of the Bell of Laudi
Entrance of the processions. Challenge games between the Parties:
Crossbowmen shooting competition, trege race, tug of war
for the proclamation of Madonna Primavera.
Madonna Primavera parade.
Exit of the processions along Corso Mazzini and Piazza Santa Chiara.


Part of Above: Re-enactments of medieval life*

Friday 10 May – “The Show”

Town Hall Square
Show by the Flag-waving Group of Assisi
Children's May Day

Evening Procession – “La Tenzone”

Sound of the Bell of Laudi
Entrance to the Evening Processions

Saturday 11 May – “The Challenge”

Town Hall Square
Sound of the Bell of Laudi
Entrance of the historical processions
Exit of the processions along Corso Mazzini and Piazza Santa Chiara

"The singing"

Sound of the Bell of Laudi
Singing challenge
Assignment of the Palio

* The event is screened in the Sala delle Volte (Taverna) and in the former Pinacoteca room.

Wednesday 8 May – “Delivery of the Keys
3 pm

Parte de Sotto – Blessing of the banners in the Upper Basilica of San Francesco
Parte de Sopra – Blessing of the banners in the Cathedral of San Rufino

3:45 p.m.

Ringing of the Bell of Lauds
Piazza Santa Chiara

4:00 p.m.

Departure of the Ente Calendimaggio parade
Town Hall Square
Choir of the Parties – Execution of the Curfew Hymn
The Master of the Field in




(28 JUNE-14 JULY 2024)

From 28 June to 14 July 2024, the event that hosts the best performing experiences at an international level returns to Spoleto, enhancing theatres, outdoor spaces and unconventional places, which the city offers in a unique concentration in Italy.

Now in its 67th edition, the Festival will transform the city into a real stage that will host opera, music, theater and dance performances, exhibitions, cinematographic events and many guests.

The Spoleto Festival confirms its original character and the prestige of an important international event. A historic meeting place between different cultures, today it offers a consolidated showcase for great and emerging artists and above all it is an unstoppable workshop of original productions.

At the center of the program are two works and two original readings: Ariadne auf Naxos by Strauss, entrusted to the Budapest Festival Orchestra and its director Iván Fischer, and Orfeo ed Euridice by Gluck directed by Damiano Michieletto and the Orchestra Nazionale di Santa Cecilia. The myth guides the reflection of this edition, as a cultural element that forces us to confront questions that are by definition unresolved, as an expression of the complex relationship between individuals and society, of experiences that resonate collectively and in which we recognize ourselves and which are at the basis of Western civilization.

The French director Jeanne Candel is inspired by Baùbo, the midday concerts
they lead us to explore their musical archetypes with artists such as JACK Quartet, La Lira di Orfeo, the musicians of the Budapest Festival Orchestra and the Perugia Chamber Orchestra. Alessandro Baricco presents the world premiere of his “Brief and heretical History of Classical Music” with The curious inheritance of Orpheus.

Daniel Lopatin, known as Oneohtrix Point Never, one of the most influential names in international electronics, will be present at the Festival exclusively in Italy. Lizz Wright’s soothing voice scores
an unmissable event with African-American music. She opens the Jazz Club at the Church of Sant’Agata.

Special guest of the Festival is Isabelle Adjani who gives voice to the texts of giants of French and Italian literature. The attention towards young directors and playwrights brings director Antonio Latella back to work with the students of the Silvio d’Amico National Academy of Dramatic Arts for four new shows. The return of Davide Enia is expected with a portrait of his Palermo.

Dance breaks out with the world star Friedemann Vogel, a new creation by Wayne McGregor, a great production in Piazza Duomo by Yoann Bourgeois, accompanied by another electronic star, the musician Hania Rani, and again with Mehdi Kerkouche, one of most acclaimed talents of the moment, and Dimitri Chamblas with Kim Gordon, bassist of Sonic Youth. A new and powerful immersive experience is signed by the duo Adrien M & Claire B. There are many events for the city: Stefano Mancuso returns for a new lectio magistralis while the dancers of the Il Posto company transform the vertical surfaces of the city’s buildings into a stage. Finally, a musical educational project for primary school children was born.

The work of the Carla Fendi Foundation also continues with an exhibition by the photographer Luis Alberto Rodriguez who reinterprets some precious costumes from the historical archive of the Festival dei Due Mondi and that of Monini with the concerts and the many initiatives of Casa Menotti. At Palazzo Collicola the exhibition of Chiara Camoni, author of the manifesto, and those in collaboration with Mahler & LeWitt Studios.




14-23 OCTOBER 2022

In Bastia Umbra from 14 to 23 October 2022!


Indoor Special Edition

The largest European chocolate-themed festival

The 14,000 sqm. of Umbriafiere will host the 28th edition of the festival dedicated to Chocolate

Eurochocolate is now an unmissable event and appointment for all gourmands and chocolate lovers with over 6,000 Italian and international products presented by more than 100 artisanal and industrial confectionery brands.

The three pavilions of Umbriafiere, easily reachable thanks to the rapid road connections, will host as many colorful themed areas characterized by important scenographies: Chocolate Experience, Chocolate Show and Funny Chocolate. Didactics, entertainment, guided tastings, games, workshops for children, entertainment and a large chocolate market will accompany the visit of the chocolovers who will be able to access the event in an orderly manner thanks to the development of an access control service that will also leverage ticketing. (by reservation and on site during the event) accompanied by delicious gifts.


Eurochocolate Claim